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Christmas Day

God dwells with us

Through Him, All Things| Lauren Wright Pittman |
A Sanctified Art LLC | sanctifiedart.org
Block print with oil-based ink over gouache painting

Read John 1:1-14
​From the Artist  Rev. Lauren Wright Pittman

In John’s cosmic, mysterious creation narrative, the description of the “Word” that particularly sparked my imagination was in verses 3 and 4: “All things came into being through him. . . . in him was life, and the life was the light of all people.” How does one image a concept so abstract and consequential to the Christian tradition? I find myself asking this question a lot. The words of the text themselves stretch to their limits while attempting to encapsulate the breadth of who Jesus is.
As I considered visual metaphors that might illuminate this text, I thought about a prism. I remember the first time I used this seemingly magical, transparent stone. I held it to the light, which I could not see, and to my surprise the light was broken down into the vibrant colors of a rainbow. It was natural for me to think the stone was creating something that wasn’t there, but this medium revealed the complex truth that light is in fact made up of all the colors in existence.
In my image, Jesus is a prism.6 The light that is life that comes from the Creator shines through Jesus, and it is through him that we can see the fullness and beauty of who God is. It is through him that all of Creation came into being. I decided to paint the colors of the rainbow in the order I learned as a child: ROYGBIV.7 It was when picking paints that I realized there are seven colors in a simplified rainbow, and there are also seven days of Creation. In this block carving, each of the days of Creation is referenced through simplified patterning in each of the colors of the rainbow. It is through Christ that all things came into being, and it is through him that we experience the abounding saturation of God, who chose to dwell among us.
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.

6 I realized when creating this image that I was subconsciously inspired by an image by iconographer Kelly Latimore called “Christ the Light.” In Latimore’s image, Jesus is the light, and the Holy Spirit is the prism. I’m grateful for his influence and hope you will also check out his work: kelly-latimore.pixels.com.
7 An acronym for the order of hues in the rainbow: red, orange, yellow, green, blue, indigo, and violet.

​​​SABBATH IN
​THE KITCHEN

​As a Sabbath activity, follow this family recipe or prepare another favorite dish.

MIYEOK-GUK
A family recipe shared by Christine J. Hong
Miyeok-guk is a traditional postpartum meal for new mothers and a traditional Korean birthday meal. Korean people make and eat Miyeok-guk to celebrate growing a year older and to honor the labor of their mothers who brought them into the world.
INGREDIENTS______________________________________________________________________________________________________________
• 1 ounce of dried miyeok/seaweed (you can find this in the dried goods section at a Korean grocery store like H Mart)
• 1 pound of beef brisket sliced into small pieces (you can substitute any shellfish)
• 1 packet of bone broth or anchovy and dried kelp broth (you can find both kinds of broth ready-made and packaged at a Korean grocery store—bonus, they are shelf stable—or you can make your own)
• 1-2 teaspoons of toasted sesame oil, to taste
• 1-2 tablespoons of soup soy sauce or light soy sauce, to taste (you can substitute fish sauce)
• 4 minced cloves of garlic
INSTRUCTIONS_____________________________________________________________________________________________________________
Soak your miyeok/seaweed in cold water. It will rehydrate. Once rehydrated, drain, and cut it up into small bite-sized pieces. Prepare your brisket by cutting it up into small pieces. To a pot, add 6 cups of water and the miyeok. Cover and boil on high for about 10 minutes. Add in the brisket and boil at medium heat for 35-40 minutes. Stir occasionally. The beef will slowly become tender. Stir in your garlic, bone broth, and soup soy sauce and boil for 10 more minutes. Stir in the sesame oil. For a full meal, serve alongside or over hot rice with kimchi on the side. Serves 3-4 people.

SANCTIFIED ART FROM GENERATION TO GENERATION ADVENT DEVOTIONAL | GOD DWELLS WITH US |

Christmas Eve

We tell this story

​How God Shows Up| Lisle Gwynn Garrity |
A Sanctified Art LLC | sanctifiedart.org
Silk painting with digital drawing and collage

Read Luke 2:1-20
From the Artist  Rev. Lisle Gwynn Garrity

​This year, I come to this story with deep reverence for the complexity and beauty of childbirth. At the time of creating this art, I am about 6 weeks away from giving birth to my first child—who will be born in the same hospital where my mom died from cancer 20 years ago. My daughter will take her first breath in the same place where I heard my mother’s last exhale. Much of my pregnancy has been a journey of healing—of inviting joy into the house where my grief lives, of preparing to become a mother as a motherless child. The more I learn of others’ experiences around birth, I realize how closely joy and grief can coexist in each of our stories.5
And so, as I return to Jesus’ birth story, my imagination leads me to wonder about how Mary experienced both grief and joy. Apart from Elizabeth, did she have support throughout her pregnancy? Was her own mother involved? Did she have generational trauma she needed to grieve? Did the stress of their travels to Bethlehem cause her labor to happen sooner than expected? As she labored, did a midwife come? Was she afraid?
In this image, as if looking past a curtain, we peer into this threshold moment when excruciating pain gives way to ecstatic joy as Mary draws her baby to her chest and he takes his first breath. As Mary holds her baby, additional hands reach in to support them both. Maybe these are the hands of strangers, of Joseph, or of a midwife who was summoned. Perhaps they are simply the hands of angels.
Each year, we tell this story because it is raw with joy, pain, and the complexities of being human. No matter how your story is unfolding, may you find that this sacred story holds space for you. For this is how God shows up—in a child who cries, in hands that hold, in human flesh, in life and in death.
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.
​
5 If you have pain, grief, trauma, or longing related to pregnancy and childbirth, we hold space for you. In this Christmas season, may God meet you in grief and joy and every moment in between.

SANCTIFIED ART FROM GENERATION TO GENERATION ADVENT DEVOTIONAL | WE TELL THIS STORY |

Fourth Week of Advent

We are God in each other

The Golden Cradle| Carmelle Beaugelin |
A Sanctified Art LLC | sanctifiedart.org
Acrylic, gilding paint, canvas collage
​on handmade reclaimed paper

Read Luke 1:39-58
From the Artist  Carmelle Beaugelin

Mary and Elizabeth have found in each other a sisterhood amid their precarious and unusual circumstances. An older Elizabeth (perhaps losing hope of ever nursing a child at the loss of her monthly cycle) welcomes a young Mary (pledged to be wed at the first sign of her cycle, yet seemingly pregnant before she has even wed). Despite their difference in age, the two cousins find comfort in each other in the midst of the unconventional timing of their expanding families. All along, as the two women whisper together of the growing promises hidden in their wombs and unconventional lives, Mary and Elizabeth themselves are cradled by the guiding arms of the God who moves them beyond cousins into sisterhood.
Reminiscent of Haitian folk art figures, Mary and Elizabeth are portrayed wearing traditional Afro-Caribbean style headdresses as their silhouettes face one another in a stoic greeting. For new Haitian mothers, a tradition of preparing sacred tea leaves, as well as postpartum herbal baths, offers solidarity between the more seasoned women and a new mother. Often—as displayed by the relationship between the two women in this story—grandmothers, cousins, and other close female community members act as surrogates in this sacred practice for those who have been displaced from their own families.
The Golden Cradle expands on the imagery of Mary’s golden “yes” to her call, meeting Elizabeth’s “yes” to a holy birth of her own. In their meeting, the promises they carry leap for joy at this first encounter, offering us a picture of the kind of communal solidarity we often find along the journey of the unfolding story of God in our own lives. Even in moments of isolation, we often encounter surrogates who step in with divine provision when we need it the most.
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.

SANCTIFIED ART FROM GENERATION TO GENERATION ADVENT DEVOTIONAL | WE SEE GOD IN EACH OTHER|

Third Week of Advent

We can choose a better way

​Wilderness Blossom | Lauren Wright Pittman |
A Sanctified Art LLC | sanctifiedart.org
Digital painting

​Read Isaiah 35:1-10
From the Artist  Rev. Lauren Wright Pittman

Hope is difficult to come by these days; the wilderness seems to expand toward the horizon with no end in sight. “The wilderness and the dry land shall be glad, the desert shall rejoice and blossom; like the crocus it shall blossom abundantly, and rejoice with joy and singing” (Is. 35: 1-2). How does one cling to the nonexistent, vibrant purple petals of a crocus flower as they crouch in a barren, dusty wasteland? How does one reach for the cool relief of clear springs in a parched haunt of jackals?
Have you ever looked through a kaleidoscope? A kaleidoscope doesn’t expose your eye to anything that isn’t there. It takes what is in view, and with light and mirrors, creates a new, dynamic, luminous image. The overlapping, novel perspectives, light, and movement transform mundane and even unappealing subjects into vibrantly dancing masterpieces. Now, how does this relate to this text? I think it’s possible that when we face difficult seasons that seem unending, if we immerse ourselves in the light of the voices of prophets, move to a new vantage point, and try new perspectives, we just might be able to see the wilderness bloom.
In this image I chose a few of the many vivid visuals from the text and created a kaleidoscope of sorts. Starting in the center, crocuses bloom, weak hands are strengthened, eyes are opened, bodies leap with joy, burning sand becomes a pool, swamps are formed, and the light of gladness radiates from the entire composition.
We need prophecies like this. Please don’t get me wrong; there are certainly seasons of disappointment, devastation,and grief in this life, but we need not make our homes there. We could choose to shy away from such optimism during particularly difficult times while getting endlessly lost and settled into apathy and despair. Or, we could choose a better way, and hold fast to the stories of the joy that is to come.
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.

The Courageous Choice | Lisle Gwynn Garrity |
A Sanctified Art LLC | sanctifiedart.org
Silk painting with digital drawing and collage

Read Matthew 1:18-25
From the Artist  Rev. Lisle Gwynn Garrity

When Joseph learns that his engagement has turned into a scandal, he decides to dismiss Mary quietly. While this choice may seem like a compassionate one, it’s also a passive choice, one with little cost to Joseph but great consequences for Mary. As an unmarried mother, she and her child would be incredibly vulnerable, shunned by society, perhaps cut off from family support and resources. This choice means Joseph’s reputation remains unharmed while pregnant Mary will live on with mounting shame and threats cast upon her.
While Joseph is thinking about all of this, perhaps deliberating about how he will delicately manage the social perceptions of this unexpected turn in his life, an angel comes to him in his dreams. What I find most interesting is that the angel doesn’t command Joseph; instead he simply says, “Don’t be afraid.” He essentially says: “Don’t be afraid of the social stigma. Don’t be afraid to become a parent through adoption. Don’t be afraid to experience a love greater than you have ever known. Don’t be afraid to make the courageous choice, the one that will not only change your life, but the lives of Mary and Jesus and so many generations who will come after you.”
In this image, I’ve captured Joseph in the liminal space where his dreams will soon shape his reality. He rests his head on a folded blanket, which represents the woven tapestry of his ancestors who also made difficult choices for good. Gold interconnecting lines, like the roots and branches of a family tree, envelop him, symbolizing the beautiful web of regeneration that will come from his courage.
As we reflect on the Christmas story through Joseph’s experience, may we, too, have the courage to choose a better way.
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.

​​SABBATH IN
​THE KITCHEN

​As a Sabbath activity, follow this family recipe or prepare another favorite dish.

PEANUT'S PECAN PIE (ADAPTED FOR POPPA)
A family recipe shared by Lauren Wright Pittman
Peanut was my Poppa’s (my maternal grandfather) little sister who was born in 1944. Peanut learned to cook early on because she wasn’t able to work in the fields with the rest of her family. Her pecan pie was my Poppa’s absolute favorite. Her pie was a seasonal treat because she had to wait for the pecan trees to drop the nuts, and she cracked them each by hand. It was hard work, so she tried to make it easier in some other ways. She adapted a recipe to use a whole bottle of Karo syrup so she could use up the whole bottle and have it yield two pies. Peanut knew this was also one of my mom’s favorite recipes, so when my mom got married in 1984, Peanut gave her the recipe. As my Poppa grew older, he lost his teeth and wasn’t able to enjoy all the foods he used to. My mom decided to start chopping up the pecans almost to dust so he could taste his favorite pie once again. I lost my Poppa this year. At his celebration of life, we shared his favorite pie and our gratitude for his life with hundreds of his family and friends. I will cherish this recipe for the rest of my life, and will certainly pass it on.

INGREDIENTS
• 6 eggs
• 2 cups of pecans
• 1 bottle dark Karo syrup

​​• 4 tablespoons of butter melted, or a 1/2 stick
• 1 cup of sugar
• 2 pie shells

​INSTRUCTIONS
Mix the ingredients well and pour into the pie shells (be careful not to mix hot butter with the eggs; let it cool first). The recipe makes 2 deep dish pies or 3 regular pies. Bake at 350 degrees for 45 minutes. If using a deep dish, bake for 65 mins.

SANCTIFIED ART FROM GENERATION TO GENERATION ADVENT DEVOTIONAL | WE CAN SCHOOSE A BETTER WAY|

Second Week of Advent

​God meets us in our fear

Ancestral | Hannah Garrity |
A Sanctified Art LLC | sanctifiedart.org
Paper lace with watercolor

​Read Isaiah 11:1-10
From the Artist  Hannah Garrity

​This illustration explores the idea that perhaps the oppressor is not so far away. The lion and the calf, the cheetah and the goat, the wolf and the lamb, the ox and the bear—each predator shares a face with its prey. Each pair of animal faces is connected to the root line of the stump of Jesse. Each generation has been challenged to forward the radical call for peace in this Isaiah text.
As I read this text, I was drawn most closely to the idea of the roots, the past history, the ancient texts from the ancient times expressing the human condition and its possibilities. The practice of culturally responsive teaching comes to mind for me, a public school teacher in Virginia.
Culturally responsive teaching is a humanizing approach that allows for the boundaries of culture to meld, firmly giving way to incredible curricular access for all students, regardless of their backgrounds. As I walk in each day as the face of oppression, the world arrives, too. My school has 48 languages spoken. We have many recent immigrants. I have a new student added to one of my classes once every couple of weeks. The only way to connect across barriers is to remove barriers with honor and reverence for the collective wisdom of humanity.
My white skin represents the oppression of centuries. With a culturally responsive approach, I can lead with love. I can honor each student’s ancestry, lived experience, and daily presence in my classroom.
Perhaps the asp and the adder not injuring the child and the infant are a metaphor for this. In this image, the child and the infant are represented by the roots. The viper represents the asp and the adder. The threat looms, yet the roots thrive and the sprout emerges from the stump. The prey and the predator are on equal terms; no longer is one superior to another. We must humanize one another. We must honor each other’s ancestry.
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.

Mary's Golden Annunciation | Carmelle Beaugelin |
​A Sanctified Art LLC | sanctifiedart.org
Acrylic, gilding paint, canvas collage on handmade reclaimed paper

​Read Luke 1:26-38
From the Artist  Carmelle Beaugelin

Mary’s Golden Annunciation explores the moment of encounter between Mary and the angelic messenger. This unusual encounter may have been startling to young Mary—a soon-to-be teen bride turned, possibly, unwed mother. Yet, with holy bravery in the face of communal isolation, she accepts the call to be a surrogate mother to a son who is to be the savior of her people and the son of God.
There is not much commentary regarding Mary’s consent to motherhood. She is often portrayed as a humble, yet passive, “accepter” of a fate predestined for her. But I wonder, what if the angel had appeared to Mary and she had declined? Would her name be erased from historic and religious memory in favor of another willing young virgin?
Mary’s Golden Annunciation depicts not only a remarkable encounter, but also the moment that divinity in human form was conceived. It is my speculation that the divinity of God entered Mary’s body no sooner than Mary’s “yes” went out from her mouth. In a time when women had few options other than marriage, Mary’s consent to a potentially unwed motherhood is a brave act of subversive agency. In Mary’s “yes,” uttered in her Magnificat, we see the transformation of a young teenage girl from fearful to determined, from simply accepting to deciding, from passivity to agency, from betrothed to surrogate mother of God—an honor rarer than gold. Perhaps the most remarkable annunciation in this passage is not the messenger’s revelation to Mary, but Mary’s “yes” to the call.
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.

​SABBATH IN
​THE KITCHEN

​As a Sabbath activity, follow this family recipe or prepare another favorite dish.

DECORATED CHRISTMAS COOKIES
A family recipe shared by Lisle Gwynn Garrity
As a child, Christmastime always promised us a tradition that was an otherwise forbidden activity: the chance to play with our food. My grandmother’s kitchen table became an art studio splattered with flour and sprinkles when, each year, she retrieved the metal tin filled with Christmas-themed cookie cutters, and we spent the afternoon crafting edible Christmas treats. To my knowledge, we never made these cookies from scratch because my grandmother was admittedly not much of a cook, and because pre-made convenience allowed us to devote ourselves to the art of cookie sprinkles. We would spend hours rolling the dough, clapping our hands into flour clouds, and discovering how many red and green sugar crystals could fit on reindeer-shaped patties. And so, for this Sabbath Saturday recipe, I give you permission to focus less on baking and more on playing. I hope you’ll buy pre-made sugar cookie dough, get your kitchen messy, and decorate Christmas cookies with little humans leading the way.

INGREDIENTS
• Store-bought, pre-made sugar cookie dough (or bake from scratch if the word “pre-made” makes you wince)
• Sprinkles—as many kinds and colors as possible
• Store-bought icing

​INSTRUCTIONS
With a rolling pin, flatten the cookie dough in between handfuls of flour. Use cookie cutters to cut the dough into fun shapes—or use a knife to freehand Christmas-themed creations. Sprinkle abundantly. Bake until your kitchen swells with sweetness.

​SANCTIFIED ART FROM GENERATION TO GENERATION ADVENT DEVOTIONAL | GOD MEETS US IN OUR FEAR |

First Week of Advent

There's room for every story

War No More | Lisle Gwynn Garrity |
​ A Sanctified Art LLC | sanctifiedart.org
Silk painting with digital drawing and collage

Read Isaiah 2:1-5
From the Artist  Rev. Lisle Gwynn Garrity

​When I started this art series, I returned to a familiar medium: silk painting with gold resist and ink dyes. I photographed my creative process, capturing the wrinkled fabric, the wet lines of gold, the inks bleeding into one another. I’ve collaged photographs of my silk painting into the backdrops of these digital drawings. The silk background represents a tapestry of time, like an interconnected web of beauty and story traced through the generations.
As I reread this familiar passage in Isaiah, I paused at my favorite line about swords that become plowshares and spears that transform into pruning shears. In the past, I’ve marveled at the poetry of tools for destruction becoming instruments for cultivation. This year, I contemplated the ways these tools are used and realized that this vision holds gritty promise. Iron plows, mattocks tools, adzes—these are used to break apart rock-hard (often long-neglected) soil so it might receive water, nutrients, and roots. Plowing the earth is a physically intensive process of deconstruction that gives way for seeds to be planted, to be nurtured, and—with all the right elements and some luck—to grow into something worth harvesting.
Pruning is a seasonal act of trust; it feels so risky, especially when it takes months for that new life to begin to appear. But pruning away what is dead or in excess allows the plant to direct its energy into growing new shoots and branches once spring comes.
In other words, I realized that both of these tools are used in the process of regeneration, but they are not in themselves symbols of a bountiful harvest. Like gardening, “learning war no more” is a daily practice requiring dedication and lots of trust that we are truly cultivating an environment for God’s peace to one day bloom. And so, in this Advent season, what needs to be plowed or pruned? What daily acts of regeneration will provide for you and the generations who come after you?
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.

Genealogy of Christ | Lauren Wright Pittman | A Sanctified Art LLC | sanctifiedart.org
Digital Painting

​Read Matthew 1:1-17
​From the Artist  Rev. Lauren Wright Pittman

As I began this piece, I was inspired by the composition and movement of the From Generation to Generation… logo. In this image, I chose to represent Christ using a rose at the center of the composition. The women mentioned in the genealogy are imaged as foundational leaves building and upholding Christ. All of the women are looking at the viewer and holding objects to represent the fact that they took their life and survival into their own hands. They were catalysts who propelled the lineage forward. In the bottom left, Tamar holds her father-in-law’s insignia, which represents how she assumes his role as the leader of the tribe of Judah and continues its lineage.¹ Moving counterclockwise, Rahab holds the red cord which she lowered to ensure the safety of her family after supplying Israelite spies enough information to achieve victory in Jericho. Next, Ruth holds the wheat that she gleaned from the field. She knows that she must marry again in order to be protected, and so she takes initiative with Boaz. Bathesheba’s name isn’t even mentioned in Christ’s genealogy; she is referred to as the “wife of Uriah.” She withstands abuse from King David, survives the murder of her husband, and ensures that her son Solomon takes the throne. She takes matters into her own hands, becoming, as scholar Dr. Wil Gafney writes, “the queen mother of the united monarchy of Israel.”² Finally, there is Mary who looks adoringly at the rose which represents her son. Here she holds the love and pride of a beautiful lineage that leads to the birth of her son, the Messiah.
These women only wanted to ensure safety for themselves and for their children; in the process they ensured the continuation of the lineage of Christ. Without their brilliance, passion, ingenuity, resourcefulness, creativity, and sacrifice, the lineage would have ended.
PRAY
Breathe deeply as you gaze upon the image on the left. Imagine placing yourself in this scene. What do you see? How do you feel? Get quiet and still, offering a silent or spoken prayer to God.

​1 Attridge, Harold W. From the footnote for Genesis 38:15-19. The HarperCollins Study Bible: New Revised Standard Version. (San Francisco, CA: Zondervan, 2006). 62-3.
2 Gafney, Wilda C. Womanist Midrash: A Reintroduction to the Women of the Torah and the Throne. (Louisville, KY: Westminster John Knox Press, 2017). 220.

​SABBATH IN
​THE KITCHEN

​As a Sabbath activity, follow this family recipe or prepare another favorite dish.

NANA'S VINAIGRETTE
A family recipe shared by Hannah Garrity
There are many versions of this dressing, including the simple olive oil and salt version with which Nana (my grandmother) dressed up our salads when she and I visited France in the autumn of 1999. Her first time there, in the 1950's when my mother was young, became the inspiration for many of the recipes that we then inherited. Perhaps this dressing is such one. My memories of our salad dressing span decades and are drenched in joy. I was finally old enough to sit with the older cousins and adults. With thirty people surrounding the table, the salad was always already dressed. It was my favorite part of the meal. The dressing would slide under the rice on my plate, creating a unique delicacy that I would recreate in my college dining hall as comfort food years later. Sounds of laughter and repeated stories, feelings of love and warmth would flood back at the first taste. No one in my family makes the dressing just like anyone else. Every time it is a little bit different for everyone. So, as a snapshot of a moment in a long and fluid span of time, here’s the recipe Nana made, as I remember it, on that distant day when I thought to take note.

INGREDIENTS
• ½ cup olive oil
• ⅓ cup balsamic vinegar
• 2 tablespoons dijon mustard
• 1 teaspoon basil
• ½ teaspoon of salt
• A pinch of pepper

INSTRUCTIONS
Shake or stir the dressing.
Dip a piece of lettuce in it. Taste it. Add salt if needed. Dress and toss the whole salad. Serve with any meal. Enjoy.

SANCTIFIED ART FROM GENERATION TO GENERATION ADVENT DEVOTIONAL | THERE'S ROOM FOR EVERY STORY |​

A Sanctified Art LLC is a collective of artists in ministry who create resources for worshiping communities. The Sanctified Art team works collaboratively to bring scripture and theological themes to life through film, visual art, curriculum, coloring pages, liturgy, graphic designs, and more. Their mission is to empower churches with resources to inspire creativity in worship and beyond. Drive by the connective and prophetic power of art, they believe that art helps us connect our hearts with our hands, our faith with our lives, and our mess with our God. 
Learn more about their work at sanctifiedart.org.